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In collaboration with E-Mu, they developed a Mac-based visual sample editing system for the Emulator II keyboard, called Sound Designer, released under the Digidesign brand and inspired by the interface of the Fairlight CMI. When Apple released its first Macintosh computer in 1984, the pair thought to design a more functional and flexible solution which could take advantage of a graphical interface. The chips, easily switchable with the original ones, enjoyed remarkable success between the Drumulator users, selling 60,000 units overall.
Five different upgrade chips were available, offering different alternate drum styles. They started selling the upgrade chips one year later under their new Digidrums label. The Drumulator was quite popular at that time, although it was limited to its built-in samples.
In 1983, the two friends, sharing an interest in music and electronic and software engineering, decided to study the memory mapping of the newly released E-mu Drumulator drum machine to create EPROM sound replacement chips.
Pro Tools was developed by UC Berkeley graduates Evan Brooks, who majored in electrical engineering and computer science, and Peter Gotcher.
5 Timeline of Pro Tools hardware and software. 2.7 Multi-system linking and device synchronization. 1.8.3 Advanced Instrument Research (AIR): built-in virtual instruments and plug-ins. 1.8.2 Hardware-independent native systems: Pro Tools 9. 
1.8.1 Native systems: Pro Tools LE and Pro Tools M-Powered.1.8 High-resolution audio and consolidation of digital recording and mixing: Pro Tools | HD (2002–2011).1.7 24-bit audio and surround mixing: Pro Tools | 24 and Pro Tools | 24 MIX (1997–2002).
1.6 Pro Tools III: 48 tracks, DSP Farm cards and switch to PCI cards (1995–1997). 1.5 Pro Tools II TDM: 16 tracks and real-time plug-ins (1994). 1.4 Deck, Pro Tools, Sound Tools II and Pro Tools II (1990–1994). 1.3 Digidesign Sound Tools and Sound Designer II software (1989–1990). The software and the audio engine were adapted to 64-bit architecture from version 11. Current HDX hardware systems, HD Native and native systems use 32-bit floating-point resolution for plug-ins and 64-bit floating-point summing. The Pro Tools TDM mix engine, supported until 2011 with version 10, employed 24-bit fixed-point arithmetic for plug-in processing and 48-bit for mixing. It features time code, tempo maps, elastic audio, and automation supports mixing in surround sound, Dolby Atmos and VR sound using Ambisonics. Pro Tools has incorporated video editing capabilities, so users can import and manipulate high-definition video file formats such as XDCAM, MJPG-A, PhotoJPG, DV25, QuickTime, and more. The legacy SDII format was dropped with Pro Tools 10, although SDII conversion is still possible on macOS. It imports and exports MOV video files and ADM BWF files (audio files with Dolby Atmos metadata) it also imports MXF, ACID and REX files and the lossy formats MP3, AAC, M4A, and audio from video files ( MOV, MP4, M4V). Pro Tools supports mixed bit depths and audio formats in a session: BWF/ WAV (including WAVE Extensible, RF64 and BW64) and AIFF. 16-bit, 24-bit, and 32-bit float audio bit depths at sample rates up to 192 kHz are supported. Audio effects, virtual instruments, and hardware emulators-such as microphone preamps or guitar amplifiers-can be added, adjusted, and processed in real-time in a virtual mixer. Like all digital audio workstation software, Pro Tools can perform the functions of a multitrack tape recorder and a mixing console along with additional features that can only be performed in the digital domain, such as non-linear and non-destructive editing (most of audio handling is done without overwriting the source files), track compositing with multiple playlists, time compression and expansion, pitch shifting, and faster-than-real-time mixdown.Īudio, MIDI, and video tracks are graphically represented on a timeline. The DSP is used to provide additional processing power to the host computer for processing real-time effects, such as reverb, equalization, and compression and to obtain lower latency audio performance. 
Pro Tools operates both as standalone software and in conjunction with a range of external analog-to-digital converters and PCIe cards with on-board digital signal processors (DSP). It is used for music creation and production, sound for picture ( sound design, audio post-production and mixing) and, more generally, sound recording, editing, and mastering processes.
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology (formerly Digidesign) for Microsoft Windows and macOS. Chinese (Traditional and Simplified), English, French, German, Japanese, Korean, Spanish
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